DUSTED MAGAZINE

Dusted Reviews

Encre - Encre

today features
reviews charts
labels writers
info donate

Search by Artist



Sign up here to receive weekly updates from Dusted


email address

Recent Reviews

The 2 Bears - Be Strong

Bitch Magnet - Bitch Magnet

Ursula Bogner - Sonne = Blackbox

Cardinal - Hymns

Cleared - Breaking Day

Conforce - Escapism

Ben Frost and Daníel Bjarnason - SÓLARIS

Golden Calves - Money Band / Century Band

Russell Haswell and Florian Hecker - Kanal GENDYN

Howlin Rain - The Russian Wilds

Islands - A Sleep & A Forgetting

Eyvind Kang - Visible Breath

Eli Keszler - Cold Pin

Lambchop - Mr. M

Mark Lanegan - Blues Funeral

Leverage Models - Interim Deliverable/Forensic Accounting

Lindstrøm - Six Cups of Rebel

Robert Lippok - Redsuperstructure

Prinzhorn Dance School - Clay Class

Keith Rowe and John Tilbury - E.E. Tension and Circumstance

Simon H. Fell - Frank & Max: Bass Solos 2001-2011

Sonic Avenues - Television Youth

STS - The Illustrious

Todd Terje - It’s the Arps

Tronics - Love Backed by Force

V/A - Pop Ambient 2012

V/A - The Total Groovy

Sharon Van Etten - Tramp

Andre Vida - Brud, Vol. I–III

Bill Wells - Lemondale

Alan Wilkinson - Practice

Wire - The Black Session - Paris, 10 May 2011

Wounded Lion - IVXLCDM

Dusted Reviews


Artist: Encre

Album: Encre

Label: Clapping Music

Review date: Jul. 1, 2003

Mystic Scripture


Encre is a peculiar project spearheaded by Frenchman Yann Tambour. Nearly two years after its initial release in his home country, Encre’s self-titled debut is only now garnering attention in North America. It’s surprising this album of unique electro-rock minimalism didn’t surface earlier. But without a major push from record labels, and biographical material being rare-to-none, this is certainly a unique gem that has emerged over time.

Literally translating into the French word for “ink,” Encre has developed a signature as both an ensemble and solo project. While incorporating a cast of electronic artists in a live setting, including My Jazzy Child on bass and King Q4 on drums, Tambour chooses to compose and record alone.

The album doesn’t contain any credits, making it difficult to credit the jazzy drum grooves or rich-sounding string performance. It’s a mystery as to whether fully credit Tambour, or praise Encre’s live players like King Q4 and a cellist known only as Sonia.

While the arrangements have largely been filtered through his computer, Tambour displays fine craftsmanship after slicing and reconstructing organic cello, percussion and guitar parts into several loops. Fusing glitch elements with the samples allow the album to develop an electronic edge while also breathing a natural element across the eight tracks.

But it’s Tambour’s vocal contribution that accentuates the album’s eerily laid-back calmness. It makes no difference that all of the lyrics are in French, either. To anyone unfamiliar with French, he could simply be singing about rabbits and carrots, but it’s his delivery that evokes trouble and depression. Citing Will Oldham and Nick Drake as influences, Tambour speaks slightly louder than a hush and in a tone that grazes like sandpaper across the minor-sounding scenery.

The only downside to the album is its length; the therapeutic session of melancholy flows just slightly over 30 minutes, leaving listeners scrounging for another fix of this quick-drying ink.

By Darren Eke

Read More

View all articles by Darren Eke

Find out more about Clapping Music

©2002-2011 Dusted Magazine. All Rights Reserved.