DUSTED MAGAZINE

Dusted Reviews

Tivol - Interstellar Overbike

today features
reviews charts
labels writers
info donate

Search by Artist



Sign up here to receive weekly updates from Dusted


email address

Recent Reviews

9th Wonder & Buckshot - The Formula

Abe Vigoda - Skeletons

Boogie Down Productions - Criminal Minded (Deluxe Edition)

Gavin Bryars - The Sinking of the Titanic

Eric Carbonara - Exodus Bulldornadius

Gal Costa - Gal

Bill Dixon - 17 Musicians in Search of a Sound: Darfur

The Dutchess and the Duke - She’s the Dutchess, He’s the Duke

Jim Ford - Point of No Return

Dan Friel - Ghost Town

Graham Lambkin and Jason Lescalleet - The Breadwinner

The Hospitals - Hairdryer Peace

Howlin Rain - Wild Life

The Intelligence - Deuteronomy

J. Spaceman / Sun Ciy Girls - Mister Lonely: Music From a Film by Harmony Korine

Jay Reatard - Singles 06-07

Lucky Dragons - Dream Island Laughing Language

Kawabata Makoto - Inui.4

Jon Mueller / Jason Kahn - Topography

Jack Rose - I Do Play Rock and Roll

RZA as Bobby Digital - Digi Snacks

Shit and Shine - Cherry / Küss Mich, Meine Liebe

The Shortwave Set - Replica Sun Machine

Sigur Rós - Með Suð í Eyrum Við Spilum Endalaust

D. Charles Speer & The Helix - After Hours

Vanishing Voice - The Morning After

The Walker Brothers - Take It Easy With the Walker Brothers

Dusted Reviews


Artist: Tivol

Album: Interstellar Overbike

Label: Last Visible Dog

Review date: Apr. 12, 2006


Tivol's first easily-available American release drops two extended jams and one shorter epilogue, just over half an hour of thickly distorted riffing squarely in the space rock mold. With the hairy biker artwork and punning title, this might have instead been called Hall of the Mountain Bike, as this is closer to Hawkwind than Floyd.

Certainly, Tivol's modernization is denser and noisier than Hawkwind, and bears some debt to High Rise and more recent purveyors of psych-space jamming (Comets on Fire's more rocking moments come to mind). This is straight-up space-bound riffage, headbanging guitars and burbling analog synths battling it out on the opening 15-minute "Tivoloid Part 1" atop a powerful, direct rhythm section, but they pummel far harder than, say, Vocokesh or Escapade. This is space rock for those who want more rock than space.

The vocals, like Hawkwind's, are earnest but minimal; only a couple of minutes of "Tivoloid Part 1" have any words. Being in Tivol's native Finnish, I can't tell you what they're singing about, even though the lyrics are thoughtfully provided in the CD. Perhaps it's better that way. Who knows.

"Pratkabarbaarit" is essentially more of the same steady guitar riffs, booming bass and pounding drums – 16 minutes of no-holds-barred jamming. It doesn't slow down much even when the guitar makes a bit of room for alien-invasion synths to come whirring in – the guitar's still churning away and the rhythm section's still hitting hard enough to drive a hole through the fabric of space. The song does as good a job of building to a peak as one might expect from a 16-minute sprawl, with a nicely conclusive finish.

The album closes with "Tivoloid Part 2: Raivaajat," a reprise of the opener, a radio-ready chunk with its propulsive riffing and near-operatic vocals condensed into just over five minutes.

Interstellar Overbike may not win any awards for originality, as its style is nothing new, but Tivol have succeeded in making a very enjoyable listen that's rather ideal for cranking up during a late-night drive down a straight, empty highway.

By Mason Jones

Other Reviews of Tivol

Early Teeth

Read More

View all articles by Mason Jones

Find out more about Last Visible Dog

delicious digg google newsvine Technorati [Slashdot] [Reddit] [Facebook] [StumbleUpon]

©2002-2005 Dusted Magazine. All Rights Reserved.