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Dusted Reviews


Artist: Peter Rehberg

Album: Fremdkoerper

Label: Mosz

Review date: Sep. 11, 2005


Peter Rehberg, a.k.a. "Pita," has taken up the terpsichorean again; staying in the similar sound environment tinker-toyed together on ErstLive004, a 2005 pan-ethnic summit of insta-comp electronic "composers." ErstLive004, noted for its ur-concentration shared like a graphing calculator between trig tutorials, has bled over into Rehberg's newest music for movements.

Fremdkoerper - German for "foreign bodies" - unites choreographer Chris Haring with Rehberg to soundtrack a dance production apparently about alienation. Which makes much sense, considering there isn't much "giving" given by this music; don't expect leitmotifs. Don't expect screeching squelch either: The aggressive - and highly enjoyable - excesses of '99's Get Out, and '02's Get Down have been gleaned and held tightly. Only occasionally is atonal info tossed out into a pulsing soundscape and mischievously detonated, thumped like jerry-rigged explosives into near lifeless rivers of drone. What's brought to the surface is a clumsy crust of structure that effortlessly dissolves into adroit ambience. Predictably, this strategy elicits a sort of "surprise symphony" effect, where one's ears - and nerves - are nudged into a defensive position, awaiting the next outburst. And so it goes: For the majority of the disc, sounds are subtly, deliberately - and superbly - shaped.

With Fremdkoerper, Pita maintains the mensch-up-on-the-mountain level of mental muscle attained on ErstLive004: Mopey minimalism, sci-fi sound FX, lathered keys, preening vox, and digital scree provides a pleasurable, and sometimes compelling listen. One can't help wondering about the visuals, though; especially by the time track six comes around, sounding like audio surveillance from the jackshacks of the northeast: cold, desperately quick, and dead dry. Perhaps this is the point. In order to provide coy contrast to staid "dance," sound must slip into skin clothes.

By Stewart Voegtlin

Other Reviews of Peter Rehberg

Work for GV 2004-2008

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