DUSTED MAGAZINE

Dusted Reviews

Robyn Hitchcock - Spooked

today features
reviews charts
labels writers
info donate

Search by Artist



Sign up here to receive weekly updates from Dusted


email address

Recent Reviews

39 Clocks - Zoned

Activities of Dust - A New Mind

Annalogue - Brocken Spectre

The Bats - The Guilty Office

Cave - Psychic Psummer

Cromagnon - Cave Rock

Elfin Saddle - Ringing for the Begin Again

Fenn O’Berg - Magic & Return

Ganglians - Monster Head Room

Gesellschaft Zur Emanzipation Des Samples - Circulations

Gossip - Music for Men

A Hawk and a Hacksaw - Délivrance

Mamer - Eagle

Purple Brain - Rvng Prsnts Mx7: Purple Brain

Ben Reynolds - How Day Earnt Its Night

Roc ‘C’ and IMAKEMADBEATS - The Transcontinental

Rusted Shut - Dead

The Scene Is Now - Tonight We Ride

Sore Eros - Second Chants

Starving Weirdos - Into an Energy

Sunset Rubdown - Dragonslayer

The Thing - Bag It!

The Units - History of the Units

V/A - Daniel Haaksman presents Funk Mundial

V/A - Legends of Benin

Wooden Shjips - Dos

YaHoWha 13 - Magnificence in the Memory

Dusted Reviews


Artist: Robyn Hitchcock

Album: Spooked

Label: Yep Roc

Review date: Feb. 14, 2005


Robyn Hitchcock’s got an eye for melancholy absurdity. That’s established, as are his effete tendencies (he’s been the Chris Ware of pop for longer than many of his fans have been toilet-trained). Every time he interjects a wrenchingly blunt emotional or sexual confession into his hallucinogenic satire, his relevance prevails. He still worships Bob Dylan, but Hitchcock’s as cool as Dylan might have been, had Zimmy's career-wise self-awareness run deep enough to make him play the fool on purpose.

Since he parted company with the Egyptians and their user-friendly college-pop, he’s experimented with different templates for his mix of Jungian imagery and seemingly tossed-off self-embarrassment. After a decade that spanned from the grubby, scattershot Moss Elixir to the streamlined bustle of Jewels For Sophia to, of all things, a Soft Boys revival, Spooked is something new under the crosseyed, day-glo sun. With only David Rawlings and Gillian Welch supplying the defiantly tasteful backup, the new joint sounds like it could’ve been recorded in a crawlspace, chosen because it happened to have the cleanest acoustics in the universe. Even the sneering drag “Creeped Out” sounds too elegant to shiver.

And yet, Spooked sidesteps the icy classicism that could’ve prevailed, considering who’s on hand. Each of Hitchcock’s carefully packaged riddles – from an only halfway sarcastic glass-teat love song (“Television”) to an anthem for luddites on LSD (“We’re Gonna Live In the Trees”) to the chimey “If You Know Time” – are disinfected but still bleed. And the sting is still there, regardless of how adeptly Hitchcock can tell which color in Crayola’s 96 box corresponds to that of his blood.

By Emerson Dameron

Read More

View all articles by Emerson Dameron

Find out more about Yep Roc

delicious digg google newsvine Technorati [Slashdot] [Reddit] [Facebook] [StumbleUpon]

©2002-2005 Dusted Magazine. All Rights Reserved.