DUSTED MAGAZINE

Dusted Reviews

Wally Shoup Trio - Blue Purge

today features
reviews charts
labels writers
info donate

Search by Artist



Sign up here to receive weekly updates from Dusted


email address

Recent Reviews

The 2 Bears - Be Strong

Bitch Magnet - Bitch Magnet

Ursula Bogner - Sonne = Blackbox

Cardinal - Hymns

Cleared - Breaking Day

Conforce - Escapism

Ben Frost and Daníel Bjarnason - SÓLARIS

Golden Calves - Money Band / Century Band

Russell Haswell and Florian Hecker - Kanal GENDYN

Eyvind Kang - Visible Breath

Eli Keszler - Cold Pin

Mark Lanegan - Blues Funeral

Leverage Models - Interim Deliverable/Forensic Accounting

Lindstrøm - Six Cups of Rebel

Robert Lippok - Redsuperstructure

Prinzhorn Dance School - Clay Class

Keith Rowe and John Tilbury - E.E. Tension and Circumstance

Simon H. Fell - Frank & Max: Bass Solos 2001-2011

Sonic Avenues - Television Youth

STS - The Illustrious

Todd Terje - It’s the Arps

Tronics - Love Backed by Force

V/A - Pop Ambient 2012

V/A - The Total Groovy

Sharon Van Etten - Tramp

Andre Vida - Brud, Vol. I–III

Bill Wells - Lemondale

Alan Wilkinson - Practice

Wire - The Black Session - Paris, 10 May 2011

Wounded Lion - IVXLCDM

Dusted Reviews


Artist: Wally Shoup Trio

Album: Blue Purge

Label: Leo

Review date: Jan. 17, 2005


Three doesn’t necessarily make a trio; and this is ostensibly the case with Wally Shoup’s new “trio” recording, Blue Purge. The onus isn’t on the brass, either. Shoup’s alto is big on guise: pliant, scrappy, and lachrymose. But his sparring partners have yet to fill their technical – or emotional – armoires. Drummer Bob Rees sounds often like a tepid Joey Baron at his most free, clattering on dampened, or clutched, cymbals; rattling rims, unveiling small, staccato snare presses. Sure, this doesn’t sound bad, but unlike Baron, Rees never moves free of the colorist’s role and out to the forefront, to carry or provoke the ensemble. If it’s out of respect, that’s one thing; but Rees merely sounds hesitant; and when reacting to torpidly bowed figures tossed his way by bassist Reuben Radding, he resorts to unattractive thuds and fizzing – instead of crashing – accents.

This is not to say that the whole of Blue Purge is a wash. The tracks “Gut Luv” and “Get Me One” are extraordinarily cogent pieces, slowly shaped and decidedly the least volcanic of the lot. Shoup is the real standout here, his alto slinking around – hungry, horny and engaging both impulses in a greasily deliberate manner. Rees and Radding contribute some off-camera instruction, but it’s mostly ignored. Ayler’s First Recordings come to mind here; and “Gut Luv” could have been easily one of the lost Ayler tracks from the old Stockholm years, when Al was getting teed up with pickup rhythm sections whose prowess would’ve freaked the crowd at an octogenarian wedding in the ‘30s. Well: same shit, different era.

Ultimately, Blue Purge is more like blue balls. Those familiar with Shoup’s recordings enlisting the wunderkind Corsano and Co. won’t be roused by this threesome.

By Stewart Voegtlin

Other Reviews of Wally Shoup Trio

Fusillades & Lamentations

Read More

View all articles by Stewart Voegtlin

Find out more about Leo

©2002-2011 Dusted Magazine. All Rights Reserved.