DUSTED MAGAZINE

Dusted Reviews

Adams/Cox/Fink/Fox - Adams/Cox/Fink/Fox

today features
reviews charts
labels writers
info donate

Search by Artist



Sign up here to receive weekly updates from Dusted


email address

Recent Reviews

Aloha - Home Acres

Autechre - Oversteps

The Besnard Lakes - The Besnard Lakes are the Roaring Night

Eddy Current Suppression Ring - Rush to Relax

Free Energy - Stuck on Nothing

Frightened Rabbit - The Winter of Mixed Drinks

Danny Paul Grody - Fountain

Happy Birthday - Happy Birthday

Interference - Interference

jj - jj nš 3

Jonas Reinhardt - Powers of Audition

Graham Lambkin - Softly Softly Copy Copy

Elodie Lauten - Piano Works Revisited

Ted Leo and the Pharmacists - The Brutalist Bricks

Love Is All - Two Thousand and Ten Injuries

Rudresh Mahanthappa & Steve Lehman - Dual Identity

Radu Malfatti / Klaus Filip - Imaoto

The Marked Men - Fix My Brain

Monolake - Silence

The Morning Benders - Big Echo

Janka Nabay - Bubu King

Past Lives - Tapestry of Webs

Ruts DC - Rhythm Collision Reloaded

The Splinters - Kick

Tanlines - Settings

Triclops! - Helpers on the Other Side

U.S. Girls - Go Grey

Ulaan Khol - III

V/A - 2010

David S. Ware - Saturnian (Solo Saxophones, Volume 1)

White Hinterland - Kairos

Xiu Xiu - Dear God, I Hate Myself

Zola Jesus - Stridulum

Dusted Reviews


Artist: Adams/Cox/Fink/Fox

Album: Adams/Cox/Fink/Fox

Label: Cold Blue

Review date: Apr. 24, 2002

Dark and Peaceful Cold Blue Journey


On this latest release from the recently revived California new music label Cold Blue, reed player Marty Walker leads us deep into a seamless collection of quiet, ruminative chamber pieces by West Coast composers.

As different as they are, the works presented here are of a piece. Alaska composer John Luther Adams' “Dark Wind", for bass clarinet, piano, marimba, and vibraphone, evokes Chthonic energies and the shifting skies of a northern landscape with rumbling, rolling blocks of sound-textures that shimmer like a Terry Riley drone while moving with a Feldman-esque slow majesty.

Rick Cox, whose evocative treated guitar soundscapes have turned up in some well-known films, gives us the lyrical and pensive “When April May,"a weaving of song-like clarinet melody through rich and nuanced string quartet sonorities.

Works for clarinet and string quartet by Jim Fox and Michael Jon Fink further explore the subtle margins between string and reed resonances, using various formal schemes to highlight the textural and melodic interplay.

The entire disc is perfectly sequenced; the individual works flow together like a journey, with Walker’s warm and very human tone taking the part of guide and companion. In the best Cold Blue tradition there is plenty of room for the listener here; just enough space to walk a satisfying path between meditative silence and fully sense-engaging sound.



By Kevin Macneil Brown

Read More

View all articles by Kevin Macneil Brown

Find out more about Cold Blue

delicious digg google newsvine Technorati [Slashdot] [Reddit] [Facebook] [StumbleUpon]

©2002-2005 Dusted Magazine. All Rights Reserved.