DUSTED MAGAZINE

Dusted Reviews

Adams/Cox/Fink/Fox - Adams/Cox/Fink/Fox

today features
reviews charts
labels writers
info donate

Search by Artist



Sign up here to receive weekly updates from Dusted


email address

Recent Reviews

The 2 Bears - Be Strong

Bitch Magnet - Bitch Magnet

Ursula Bogner - Sonne = Blackbox

Cardinal - Hymns

Cleared - Breaking Day

Conforce - Escapism

Ben Frost and Daníel Bjarnason - SÓLARIS

Golden Calves - Money Band / Century Band

Russell Haswell and Florian Hecker - Kanal GENDYN

Eyvind Kang - Visible Breath

Eli Keszler - Cold Pin

Mark Lanegan - Blues Funeral

Leverage Models - Interim Deliverable/Forensic Accounting

Lindstrøm - Six Cups of Rebel

Robert Lippok - Redsuperstructure

Prinzhorn Dance School - Clay Class

Keith Rowe and John Tilbury - E.E. Tension and Circumstance

Simon H. Fell - Frank & Max: Bass Solos 2001-2011

Sonic Avenues - Television Youth

STS - The Illustrious

Todd Terje - It’s the Arps

Tronics - Love Backed by Force

V/A - Pop Ambient 2012

V/A - The Total Groovy

Sharon Van Etten - Tramp

Andre Vida - Brud, Vol. I–III

Bill Wells - Lemondale

Alan Wilkinson - Practice

Wire - The Black Session - Paris, 10 May 2011

Wounded Lion - IVXLCDM

Dusted Reviews


Artist: Adams/Cox/Fink/Fox

Album: Adams/Cox/Fink/Fox

Label: Cold Blue

Review date: Apr. 24, 2002


On this latest release from the recently revived California new music label Cold Blue, reed player Marty Walker leads us deep into a seamless collection of quiet, ruminative chamber pieces by West Coast composers.

As different as they are, the works presented here are of a piece. Alaska composer John Luther Adams' “Dark Wind", for bass clarinet, piano, marimba, and vibraphone, evokes Chthonic energies and the shifting skies of a northern landscape with rumbling, rolling blocks of sound-textures that shimmer like a Terry Riley drone while moving with a Feldman-esque slow majesty.

Rick Cox, whose evocative treated guitar soundscapes have turned up in some well-known films, gives us the lyrical and pensive “When April May,"a weaving of song-like clarinet melody through rich and nuanced string quartet sonorities.

Works for clarinet and string quartet by Jim Fox and Michael Jon Fink further explore the subtle margins between string and reed resonances, using various formal schemes to highlight the textural and melodic interplay.

The entire disc is perfectly sequenced; the individual works flow together like a journey, with Walker’s warm and very human tone taking the part of guide and companion. In the best Cold Blue tradition there is plenty of room for the listener here; just enough space to walk a satisfying path between meditative silence and fully sense-engaging sound.



By Kevin Macneil Brown

Read More

View all articles by Kevin Macneil Brown

Find out more about Cold Blue

©2002-2011 Dusted Magazine. All Rights Reserved.