DUSTED MAGAZINE

Dusted Reviews

Adem - Homesongs

today features
reviews charts
labels writers
info donate

Search by Artist



Sign up here to receive weekly updates from Dusted


email address

Recent Reviews

Barry Adamson - Back to the Cat

Animal Collective - Water Curses

Andrea Belfi - Knots

Boris - Smile

Thomas Buckner - New Music for Baritone & Chamber Ensemble

Collections of Colonies of Bees - Birds

Earles & Jensen - Just Farr A Laugh Vol. 1 & 2: The Greatest Prank Phone Calls Ever!

Ecstatic Sunshine - Way

The Embassadors - Healing the Music

Ersen - Ersen

Firewater - The Golden Hour

Tim Fite - Fair Ain't Fair

Sascha Funke - Mango

Grails - Take Refuge in Clean Living

Barry Guy/Mats Gustafsson/Raymond Strid - Tarfala

Harmonia - Live 1974

Earl Howard - Clepton

Indian Jewelry - Free Gold!

Philip Jeck - Sand

The Long Blondes - Couples

Modey Lemon - Season of Sweets

No Age - Nouns

Nôze - Songs on the Rocks

Korla Pandit - The Grand Moghul Suite/The Universal Language of Music

Quiet Village - Silent Movie

Sic Alps - A Long Way Around to a Shortcut

Tickley Feather - Tickley Feather

Asmus Tietchens / Asmus Tietchens & Richard Chartier - h-Menge / Fabrication

Tindersticks - The Hungry Saw

V/A - Soul Messages From Dimona

V/A - Nigeria 70: Lagos Jump

Vetiver - Thing of the Past

Thalia Zedek - Liars and Prayers

Dusted Reviews


Artist: Adem

Album: Homesongs

Label: Domino

Review date: Jul. 15, 2004


Adem Ilhan may be one-third of Fridge, but you certainly wouldn’t know it from listening to Homesongs. Wandering far from the sounds of his famed trio and bandmate Kieran Hebden’s solo material, Adem explores an entirely different musical path on his solo debut. Essentially, Homesongs is a folk record, built on solid foundation of strummed acoustic guitar and plaintive romantic lyrics, along with the occasional flourish of flutes and uilleann pipes. It may be an unexpectedly traditional and conservative album, but it’s also an unexpectedly beautiful one.

The most folk-oriented material on Homesongs draws from a distinctly British pool of influences: Adem’s melodies have a strong Celtic flavor, and his lyrics often sound like updated versions of the traditional English ballads favored by Fairport Convention and the like. While Ilhan’s sound certainly owes much to his folk forebears, it’s the poppier elements he adds into the mix that make Homesongs something special. They may not be readily apparent, but baroque pop influences loom over the album, turning initially simple tunes like “These are Your Friends” and “One in a Million” into elaborately-orchestrated workouts. It also doesn’t hurt that Ilhan’s voice at times recalls the Divine Comedy’s Neil Hannon, a decidedly un-folky performer. Whether aiming for sparse beauty on the stripped down tracks or for anthemic grandeur on the more fully produced ones, Homesongs consistently hits its mark.

Homesongs clearly privileges a traditional and established aesthetic over personal idiosyncrasies and experimentation, but that’s precisely what makes it so compelling. Adem creates music that seems to flow from a commonly-held past rather than from his own unique voice or persona. One only needs to listen to the album-closing stunner “There Will Always Be” to see what Homesongs is really all about: to a soaring Celtic melody, Adem advises, “Look to the stars to guide / You’ll find all you need in life to get by.” Though the declaration may read trite, it rings true here, like the wisdom of some ancient text, both timeless and completely at home in the present.

By Michael Cramer

Other Reviews of Adem

Love and Other Planets

Read More

View all articles by Michael Cramer

Find out more about Domino

delicious digg google newsvine Technorati [Slashdot] [Reddit] [Facebook] [StumbleUpon]

©2002-2005 Dusted Magazine. All Rights Reserved.