DUSTED MAGAZINE

Dusted Reviews

Sluts of Trust - We Are All Sluts of Trust

today features
reviews charts
labels writers
info donate

Search by Artist



Sign up here to receive weekly updates from Dusted


email address

Recent Reviews

Oren Ambarchi - In the Pendulum's Embrace

Ed Askew - Rainy Day Song

Astral Social Club - Model Town in a Field of Mud

Atmosphere - When Life Gives You Lemons, You Paint That Shit Gold

Aufgehoben - Khora

Marc Baron / Bertrand Denzler / Jean-Luc Guionnet / Stéphane Rives - Propagations

Falko Brocksieper - Heavy Day

The Bug - London Zoo

John Butcher - The Geometry of Sentiment

CSS - Donkey

Karen Dalton - Green Rocky Road

Michael Dessen Trio - Between Shadow And Space

Marcel Dettmann - Berghain 02

Dillard & Clark - The Fantastic Expedition of Dillard & Clark

Kevin Drumm - Imperial Distortion

Carlos Giffoni - Eternal Noise

Herbie Hancock, Thad Jones, Ron Carter, Jerome Richardson, Grady Tate, Jonathan Klein - Hear, O Israel: A Prayer Ceremony In Jazz

Kasai Allstars - In the 7th Moon, The Chief Turned Into a Swimming Fish and Ate the Head of His Enemy by Magic

Kidz in the Hall - The In Crowd

King Darves - The Sun Splits for the Blind Swimmer

Seun Kuti & Fela's Egypt 80 - Seun Kuti & Fela's Egypt 80

Ole-Henrik Moe - Ciaccona / 3 Persephone Perceptions

Paavoharju - Laulu Laakson Kukista

Marc Ribot's Ceramic Dog - Party Intellectuals

Russian Circles - Station

V/A - New Orleans Funk, Vol. 2

V/A - The Wierd Compilation Vol. II

V/A - Lagos Shake: A Tony Allen Chop Up

Volcano the Bear - Amidst the Noise and Twigs

Wire - Object 47

Wooden Shjips - Volume 1

Dusted Reviews


Artist: Sluts of Trust

Album: We Are All Sluts of Trust

Label: Chemikal Underground

Review date: Jul. 7, 2004


The Sluts of Trust are a sexually obsessed guitar-drums duo, replete with ironic moustaches and Cabaret style glad rags. Tearing his way through the album's untamed songs, guitarist John McFarlane's charisma is evident the onset. Like an amphetamine-addled Jimmy Page (Physical Graffiti era – "In my Time of Dying", "The Rover", etc.), McFarlane's nonstop barrage of clever (but not too clever) riffs makes up for the combo's unabashed retro-gimmickry.

Drummer Anthony O'Donnell smashes and bashes in ragged, complementary fashion. Faultlessly energetic, his percussive style recalls Mitch Mitchell in the Experience's heyday. The percussive racket O'Donnell produces might best be described as precision trash – a dizzying cyclone of toms, cymbals and utter disdain for decorum.

To the duo's credit, the pandemonium is always under control. Vocals are sung, barked and belted with confidence as the Sluts pronounce their rock commandments. "Leave You Wanting More " truly does, as its macho Zeppelin-isms strut like a junkyard peacock beneath McFarlane's exhortations to sex and excess.

While hardly lyrically substantial, the salty subject matter is compellingly framed. When McFarlane croons lines like "You look so fucking good," which is normally cringe-worthy, sounds gleefully cheeky. The two Glaswegians hammer through an album's worth of lust and liquor with such assurance, they emerge beyond reproach.

By Casey Rae-Hunter

Read More

View all articles by Casey Rae-Hunter

Find out more about Chemikal Underground

delicious digg google newsvine Technorati [Slashdot] [Reddit] [Facebook] [StumbleUpon]

©2002-2005 Dusted Magazine. All Rights Reserved.