DUSTED MAGAZINE

Dusted Reviews

Junior Boys - Last Exit

today features
reviews charts
labels writers
info donate

Search by Artist



Sign up here to receive weekly updates from Dusted


email address

Recent Reviews

Barry Adamson - Back to the Cat

Animal Collective - Water Curses

Andrea Belfi - Knots

Big Dipper - Supercluster: The Big Dipper Anthology

Boris - Smile

Collections of Colonies of Bees - Birds

Constantines - Kensington Heights

Earles & Jensen - Just Farr A Laugh Vol. 1 & 2: The Greatest Prank Phone Calls Ever!

Ecstatic Sunshine - Way

The Embassadors - Healing the Music

Ersen - Ersen

Extra Life - Secular Works

Firewater - The Golden Hour

Tim Fite - Fair Ain't Fair

Sascha Funke - Mango

Harmonia - Live 1974

Hayden - In Field & Town

Earl Howard - Clepton

Indian Jewelry - Free Gold!

Philip Jeck - Sand

The Long Blondes - Couples

Lyrics Born - Everywhere At Once

Make A Rising - Infinite Ellipse and Head With Open Fontanel

No Age - Nouns

Nôze - Songs on the Rocks

Korla Pandit - The Grand Moghul Suite/The Universal Language of Music

Quiet Village - Silent Movie

Sic Alps - A Long Way Around to a Shortcut

Tickley Feather - Tickley Feather

Asmus Tietchens / Asmus Tietchens & Richard Chartier - h-Menge / Fabrication

V/A - Soul Messages From Dimona

Vetiver - Thing of the Past

Thalia Zedek - Liars and Prayers

Dusted Reviews


Artist: Junior Boys

Album: Last Exit

Label: KIN

Review date: Apr. 25, 2004


A midnight drive in your private limousine, through the rain-soaked city: neon lights reflect off the tinted windows and liquid patterns play upon the dashboard and the lap of your sweetheart beside you. In the hopelessly expensive stereo system, providing the soundtrack for this Don DeLillo-esque scene, is the wondrously suave electro pop of Birthday by Junior Boys.

Seemingly arriving from nowhere (Ontario, actually), last year’s twin EPs Birthday and High Come Down garnered much critical praise from all quarters, but the Junior Boys remain relatively unknown, still a synthetic star in the ascendancy. If there is any justice, Last Exit will change all that.

On this their debut long player, head honcho Jeremy Greenspan, along with Matt Didemus and Johnny Dark, sustain their winning combination of Timbaland beat-craft and pop constructions a la David Sylvian and New Order. It helps that at the heart of this album beat four songs, "High Come Down", "Last Exit", "Under the Sun" and "Birthday," that are all lifted from those aforementioned EPs and already bona fide classics. "Under the Sun" especially shines, its grinding disco groove and industrial pulse graced by a mantra-like, determined vocal refrain. Elsewhere, a new song and another highlight, "Teach Me How To Fight," is cold refinement personified, spectral and glacial and yet full of hope and desire, with Greenspan’s breathy vocals seemingly intent on something dangerously serious or sexy (or both).

There is certainly a distinct retrospective feel to the whole album, but any nostalgia manages to elude any fixed location in either time or place – although Visage’s “Fade To Grey” did manage to worm its way into my head on more than one occasion. Last Exit is a truly excellent album, one of the best of 2004 so far. But what is truly exciting is the promise Last Exit holds for the future – for that of the Junior Boys themselves and the countless others it is sure to inspire.

By Spencer Grady

Other Reviews of Junior Boys

Birthday/Last Exit EP

So This Is Goodbye

Dead Horse

Body Language Six

Read More

View all articles by Spencer Grady

Find out more about KIN

delicious digg google newsvine Technorati [Slashdot] [Reddit] [Facebook] [StumbleUpon]

©2002-2005 Dusted Magazine. All Rights Reserved.